Download PDF Sound the Trumpet, Beat the Drums: Horse-Mounted Bands of the U.S. Army, 1820–1940
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Sound the Trumpet, Beat the Drums: Horse-Mounted Bands of the U.S. Army, 1820–1940
Download PDF Sound the Trumpet, Beat the Drums: Horse-Mounted Bands of the U.S. Army, 1820–1940
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Review
“An army without a band was not a real army—at least that’s what most nineteenth-century U.S. Army officers believed. The best commanders expended enormous energy and capital to secure musicians for their regimental and post bands. Bruce Gleason’s superb history illuminates this little-known but highly significant corner of military history.”—Durwood Ball, author of Army Regulars on the Western Frontier, 1848–1861
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About the Author
Bruce P. Gleason is Associate Professor of Music Education and Music History at the University of St. Thomas in St. Paul, Minnesota, and the founding editor of Research and Issues in Music Education. His numerous articles have been published in the Journal of Band Research, Military History Quarterly, National Guard Magazine, the Journal of Historical Research in Music Education, and other journals.
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Product details
Hardcover: 264 pages
Publisher: University of Oklahoma Press (October 13, 2016)
Language: English
ISBN-10: 0806154799
ISBN-13: 978-0806154794
Product Dimensions:
6.1 x 0.9 x 9.2 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#1,596,943 in Books (See Top 100 in Books)
As a bandsman, horseman, and living history Cavalry trumpeter, I was immediately drawn to this book when I saw its title. I have played bugle calls and bugle marches while mounted for parades and other events. It is a unique experience and is rarely seen in the United States since the 1940s when the horse Cavalry was dismounted. However, you can go to Youtube and see music videos of British, French, and other country’s mounted bands. Trooper Gleason—a member of the U.S. Cavalry Association—has researched, in great depth, and authored a tremendous reference book that takes the reader back thousands of years to when animals, such as horses and elephants, their riders and horns were combined to more effectively provide command, control, and motivation of soldiers during both war and peace. He further addresses the traditions, such as kettledrums, that countries, rulers, and the mounted bands established, and how these traditions migrated from the Middle East and Europe to literally all parts of the world. He details the evolution of instruments and instrumentation; music and composers; training of horses and riders; transporting horses, equipment, and musicians; performances; and band directors/leaders. For the United States, the first mounted musicians were company trumpeters serving in Revolutionary War units. From then until the end of World War II there is a rich history of the Army, National Guard, and militia mounted bands, especially during the 1920s and 1930s. Bandsmen were soldiers first, with the same duties and training requirements as the other soldiers in their regiments. As bandsmen, they also spent many hours practicing then providing music for both military and community events. Frequently the company/troop trumpeters were added to enhance the band’s musical performances. The book is a researcher’s “god-send.†It is extensively footnoted with details and references. The bibliography is over two-dozen pages and includes articles; books; laws, procedures, regulations, and other official documents; newspapers, newsletters, and programs; websites; discography; correspondence; and interviews. And, the index is equally detailed with almost twenty pages. This definitely must-read book should become a prominent part of your personal library.By Colonel Sam Young, (US Army Ret), Editor, The Cavalry Journal, U.S. Cavalry Association
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